Spoken Word Poetry

Friday, 3 July 2015

Mum

When Mum was discharged from hospital we were told she wouldn't last three weeks. I wrote this then, in prose form and amended it after. Since then Mum appears to be recovering. That said, the disease she has simply repeats until ultimately it claims her. However, she is now on the mend....

 

Thin now, thinner than last week, growing weaker.
Arms like bamboo.
Face gaunt, veined, hollow eyed.
Haunted eyes that follow vague ghosts
Medically all is well, apparently. ...
Unable to walk without aid.
Eats little, drinks less, sleeps a lot.

Drifting somewhere between the flickering of her eyelids and the memories of dad, of me as a child.
When she wakes she smiles seeing me the boy I was.
No longer the man but the son on whom she doted,
All my perceived crimes forgiven.
It is the passing of days.
It is right and proper.
All things must pass but must the passing be so painful for those watching?

Let her have peace.
Let her drift into dreamless sleep.
Rather than this human life unceremoniously dispatched.

Friday, 26 June 2015

Ten Reasons Why… You Might Enjoy the Poems of Carl Sandburg A personal view by Roger Stevens



Carl August Sandburg (1878 -1967) was an American poet, writer and editor who won three Pulitzer Prizes, two for his poetry and one for his biography of Abraham Lincoln.  During his lifetime, Sandburg was widely regarded as a major figure in contemporary literature, especially for volumes of his collected verse, including Chicago Poems (1916), Cornhuskers (1918), and Smoke and Steel (1920)
1 Carl Sandberg was a journalist and a socialist, and had a keen sense of and desire for social and economic justice, which was reflected in many of his poems. Despite being written so long ago his poems still resonate with us today.
2
A man is a man and what can you do with him?
but a machine, now you take a machine
no kids  no woman  never hungry  never thirsty
all a machine needs is a little regular attention
and plenty of grease
3 Sandburg wrote, “Here is the difference between Dante, Milton and me. They wrote about hell and never saw the place. I wrote about Chicago after looking the town over for years and years.”
4 Trafficker
Among the shadows where two streets cross,
A woman lurks in the dark and waits
To move on when a policeman heaves in view.
Smiling a broken smile from a face
Painted over haggard bones and desperate eyes…
5 He was not afraid to tackle the inequities of organised religion.

You tell people living in shanties Jesus is going to fix it up all right with them by giving them mansions in the skies after they’re dead and the worms have eaten ‘em.
6 Grass
Pile the bodies high at Austerlitz and Waterloo.
Shovel them under and let me work -
I am the grass; I cover all.
7 He wrote many, wonderful love poems. He asks of love,
“Is it a cat with claws and wild mate screams in the black night?”
8
Your white shoulders
I remember
And your shrug of laughter
Low laughter
Shaken slow
From your white shoulders
9 He was one of the first great poets to use free verse. Critics didn’t like it, especially in the early days, calling it un-aesthetic and unpoetic. It doesn’t seem in any way unusual now, but at the time it caused quite a stink in poetic circles. And as well as tackling traditional poetic subjects, he liked to write about every day, mundane things. And popular culture. Pre-shadowing the Beat Poets.
10 Lines written for Gene Kelly to Dance To

Tell your feet the alphabet
Tell your feet the multiplication table
Tell your feet where to go, and watch ‘em go and come back...

Friday, 5 June 2015

Ten Reasons Why You Might Enjoy...."The Way Things Are" by Roger McGough



 A personal view by Roger Stevens
1 Roger McGough is probably my favourite living poet. The best-selling Mersey Sound, published by Penguin in 1967, with Adrian Henri and Brian Patten, launched their careers. Roger McGough has written so many brilliant books that it’s hard to choose a favourite. But The Way Things Are is my favourite today. Tomorrow it may well be something else.
2 The poems in this book are easy to understand, easy to enjoy. Roger McGough doesn’t try to baffle you with indecipherable symbolism or impenetrable metaphor. They often work on different levels, though. I like that in a poem.
3 For the Sake of Argument
The cover of this book is yellow
But, for the sake of argument
let us call it red…
4 The poems in this book are very clever.
On the eleventh morning
Japheth burst into the cabin:
“Dreadful news, everybody, the tigers
Have eaten the bambanolas!”
5 A Literary Riddle
I am
Out of my tree
Away with the fairies.
A nut. A fruitcake. What am I?
6 If you are familiar with Roger McGough’s voice, maybe from listening to Poetry Please on Radio 4, then hearing him read these poems in your head, in his dry, distinctive Scouse accent, just adds to the pleasure.
7 There’s a good mixture of serious and funny poems in this book.
A serious poem will often end
With two lines that rhyme,
But not always.
8 The title poem is genius. “A sparkling patchwork of children’s logic, grieves quietly for the age-old fears deep down inside us all.”
9
No, the red woolly hat has not been
put on the railing to keep it warm.
When one glove is missing, both are lost
Today’s craft fair is tomorrow’s car boot sale.
The guitarist gently weeps, not the guitar.
I am your father and this is the way things are.
10
There’s always someone who spoils things, isn’t there?
We are all enjoying the story
and someone has to shout out something silly.

Roger’s most recent poetry books for children include The Penguin in Lost Property (Macmillan), with Jan Dean, and What Are We Fighting For? (Macmillan), poems about war, written with Brian Moses. The Comic CafĂ© (Frances Lincoln) is his latest children’s novel. He runs the award-winning children's poetry website, The Poetry Zone. Roger also writes for adults, plays in a band (with the legendary Robb Johnson) and performs his own songs in folk clubs. His latest album is called I Don’t Wish to Alarm You But… (Irregular Records.) He spends his time between the Loire, in France, and Brighton, where he lives with his wife and a very, very, very shy dog called Jasper.
 And here, from the not so dim and distant is a little something other from Roger....


Have you ever been embarrassed by your parents? When Joseph was a teenager he would refuse to actually walk with me and Jill in the street “in case his mates saw us.” How silly is that? And I don’t see why he should have been embarrassed by me and Jill dancing in the road at a street festival in Holland, either. He should have been proud of his step-dad. When I hoisted his mum over my head and did the splits at the same time it produced a huge cheer and applause from the crowd that had gathered around us. I was quite upset when he ran away instead of staying to help his mum carry me to the hospital. So you would think that, as a grown-up, I’d no longer be embarrassed by my parents.
But Jill and I decided to take my eighty-year-old mother for a drive in the country. It was a lovely sunny Saturday in June. We drove through the village of Northiam and saw that the local school was having a fete.
“Shall we have a look round?” I asked.
“Ooh, yes,” said Mum, “that would be nice.”
So we did. We had a go on the bottle stall and Jill won a small jar of salad cream. Then we bought a spider plant from the plant stall and watched a display of falconry.
Unfortunately the falcon man hadn’t turned up but the resourceful school decided to go ahead anyway.
Several teachers had each painted the picture of a bird of prey on a shoe box, and tied the box to their arm with a piece of string. Then each one took a turn of throwing the box up in the air while we had to imagine that it was a real bird, wheeling through the sky, and swooping on a sparrow.
The falcon I imagined was easily the best. It did somersaults and finished its display by swooping through a hoop of fire upside down.
So, Mum, Jill and me were walking around the school field enjoying the fete when a band started paying. It was the east Sussex All-Comers Ukulele and Trumpet band. They were brilliant. They played Take That’s greatest hits.
That was when my mum got embarrassing. She grabbed my hands and shouted out, really loudly, “let’s have a little dance!” then she started going round in circles, taking me with her, and every so often punching the air and whooping. An eighty-year old whooping woman dancing to Shine is not a pretty sight.
It was very, very embarrassing. The only good thing about it was that Jill went round with the hat and managed to collect seven pounds 63p. So we all treated ourselves to an ice cream and Mum bought another spider plant to keep the first one company. 



Friday, 29 May 2015

Fish

 
 
 
 
 
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Also available on the classwar karaoke survey, 0030 as set to music by the excellent Balkh. If you want to help CWK achieve its goal of funding a compilation CD, go buy their wonderful works:
https://freemusicarchive.org/…/Classwar_Karaoke_-_0030_Sur…/

Friday, 15 May 2015

Geni

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Spike, my heart, your beef is not with me, good captain. I did not let your Geni out of the bottle. Keep a lid on it. Keep it safe, safe as milk. It's rare such gifts set so many free.

Friday, 16 January 2015

Friday, 9 January 2015

Terminal Hierophantiasis by Antares @ Guano Breath

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Inspired by a poem drafted in 1969 and recorded over 3 sessions in 1986. 

TERMINAL HIEROPHANTIASIS

we bow our heads in unison & listen
to benisons in latin as we
sit on satin cushions
in silence
with violent visions
of serpents & surplices
& sacred bullocks
& cassocks & castration
casting lustral pearls
at lugubrious swine
that wallow in goodswill
on the dunghill of time
popping corn & copping porn
pages from hoary wisdom torn:

O HEAVENLY FATHOPE
GRUNT UNTO US
IN THIS THE HOUR OF OUR SORDID GREED
WE PLEAD WITH BEADS OF GRUBBY CREED
IN CHUBBY FINGERS

from the foulpit to the pulpit
of the chosen pew
we send forth solemn nostrums
from the rostrum
to our beloved token jew

FORGIVE US OUR FOREFATHERS' FORESKINS
AND GIVE US THIS DAY A DULL RAP
ON THE SKULL CAP
OR SOME CLAP TRAP

oh we think we know we see
whom & how & whatsoever we should be
for all is ultimately part & parson
of immortality
(so help me)

wherefore this common porridge:
this grim & grueling gravy
in which organisms sink or swim
suspended in acute & minute animation
doomed to drink & be drunk
& perchance be merry
or to suffer indigestion &/or indigestibility?

BY THE MONAD'S GONADS,
ANSWER ME!

we bow our heads
over supper sipping soup
but does it really matter
if tablemanners are observed
or if slurping sounds delicious?
after all the tiny whiny citizens
aswoon or aswirl in their own dire mansions
in our soupy microcosm
are also busy bowing pious little heads
over teeny weeny bowls of perfect beans...
And be it so.

Composed, performed & mixed by Antares

Friday, 2 January 2015

who do I gotta kill today?



If you think that "Kill Today" is a song consisting of words that are sung, then you clearly don't know what singing is. But if audible words are not sung, then by default they must be spoken.
Therefore, this post is on-topic!
Music or not, I suggest you crank up the volume (and most especially the Bass) to the max!


A Night in the Day of a Reluctant Psychopath

Once I went walking but I lost my way
Then right up ahead was a little cafe
I walked right in, said "what's the special today?"
The waiter was a man of many years
He said "all you'll get is blood, sweat and tears."
I laughed as I shot that man in the face
Then I turned and I ran right out of that place.

Why, why, why...
Why, why, why...

Couldn't see my next move
Couldn't see my way clear
I just couldn't find my way home...

Got no money, and no place to go
Cold and hungry, and I'm feeling kinda low
Got no friends and I got no wife
Travelling light, most of my life
A man with no love, in a world with no soul
The undead living in a deep, dark hole.

Couldn't see my next move
Couldn't see my way clear
Couldn't find my way home
Can't seem to find my way home tonight...

My life is a mess and I'm out of control
Got no destination and I got no goal
I'm gonna lay me down, lay me down and die
Just wish I knew the reason why
Down on my knees I begin to pray
Lord who do I gotta kill today?
Please tell me who do I gotta kill today
I hear voices that I must obey
And I wonder why...

Why, why, why...
Why, why, why...
Can't seem to find my way home tonight.



Cosmic Rapture and Masterymistery are two of the names by which the creator is known.
Check out his author-page at Amazon

Music / MP3 Download: Who do I gotta kill today? out now at I-Tunes