Spoken Word Poetry

Sunday 27 September 2020

Moorlands: Carpe Diem Time Challenge

. . All poems are copyright of the poet. Permission for this poet to post their work here has been granted by blog owner. All rights remain with the individual poet and their respective publisher.

 


with my waking eyes

never have I seen moorlands

poetic fancy

~cie~

https://chevrefeuillescarpediem.blogspot.com/2020/09/carpe-diem-time-challenge-3-moorland.html

Poo. I didn't see this prompt until the 26th. It ended on the 22nd. I'll share it for you suckers in these special places:


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Copyright Information
The Icky, Sticky, Nit-Picky Legalese If You Please (Or Don't Please)

Copyright 2020 by Naughty Netherworld Press/Poetry of the Netherworld

Reblogging is acceptable on platforms that allow it. LBRY’s reblog function is called repost, which makes things confusing since reposting is considered a no-no on most platforms. It’s fine to share the post using the repost function on LBRY. It is not okay to copy-paste the material into a new post.

Sharing a link to the post is acceptable.

Quoting portions of the post for educational or review purposes is acceptable if proper credit is given.

Friday 25 September 2020

Spoken Word from a Poetry Society Poet - Matt Abbott


Matt Abbott. In his own words..." Eyup! I’m Matt Abbott, and I’m a Wakefield born poet, educator and activist. My adult themes mainly centre around socio-political commentary, human struggle and kitchen-sink realism. My poetry for children centres around playful rebellion, challenging societal stereotypes and the struggles of modern life. 

I first began performing spoken word in December 2006, shortly before my 18th birthday, before fronting indie-pop act Skint & Demoralised from 2007-2013, releasing three albums during that period. Since returning to poetry, I’ve toured the UK’s theatres, done two runs at Edinburgh Fringe and shared a stage with names ranging from Paul Weller, Sleaford Mods and The Fall; to Sara Pascoe, Shappi Khorsandi and Francesca Martinez; to Ken Loach and Jeremy Corbyn. In 2015 I formed the spoken word record label Nymphs & ThugsI’m an ambassador for Trinity Homeless Projects and Eureka! The National Children’s Museum.

I’ve also been commissioned by a range of organisations including Leeds United FC, Nationwide Building Society, Cancer Research UK, the European Youth Forum and Jeremy Corbyn."


All poems are copyright of the poet. Permission for this poet to post their work here has been granted by blog owner. All rights remain with the individual poet and their respective publisher.

Tuesday 22 September 2020

GOOD POEMS by Garrison Keillor - Reviewed by Roger Stevens


Good poems? It is a brave publisher who puts that title on the front of a book. It is asking for trouble. But without thinking too deeply about what actually constitutes a good poem, I can certainly say that this volume, with over four hundred pages, certainly contains a lot of them. 

The poems have been chosen by Garrison Keillor, better known for his prose works, such as the Lake Woebegone stories, and his contributions to the American radio programme The Writer’s Almanac, which dishes up a wide range of poems on its five-minute breakfast time poetry slot. Generally, the poems he broadcasts are highly accessible, as they would have to be. As Garrison says, “People listen to (these) poems while they’re frying eggs and sausage and reading the paper and reasoning with their offspring and I find it wise to stay away from stuff that is too airy or that refers off-handedly to the poet Li Po or relies on your familiarity with butterflies, or Spanish, or Monet.” In short, you do not need an English Literature degree to enjoy them.

So, this anthology brings together a host of the poems that have entertained America in the early mornings. And what I found to be particularly enjoyable, as a British writer, is that it features a great many poets I have never heard of, but who are presumably more familiar to American readers. The reason I like anthologies is that you can discover new poets to delight you. And, of course, in this book I have found many.

The problem with anthologies in the UK , especially those edited for the general reader (The Nation’s Top Poems to read at Weddings or Every Poem You Will Ever Need to Read at Funerals, for example), is that they tend to recycle the same poems over and over. I love Jenny Joseph looking forward to old age and explaining how she’ll wear the colour purple and Dylan Thomas urging us to make a fuss when we head for that good night – but I also need to read something less familiar sometimes; something exciting; not necessarily something newly written but something I’ve missed along the way…

Such as Stephen Dobyns confessing his inner Nazi; Stephen Dunn giving excellent advice on how to deal with altruists; and David Budbill explaining the Three Goals: The first, to see a thing simply and clearly, the second, well, a little wine helps and the third –

“…to see the universal and the particular,
simultaneously
Regarding this one, call me when you get it.”

Of course, a bonus to making a good poetry anthology really enjoyable is when it features a few personal favourites. One of mine is Billy Collins, who considers making a small speech on board a plane just in case it crashes; Wendy Cope, with the huge orange she buys; and Ferlinghetti, as he is entertained by The Green Street Mortuary marching band. 

If you’re looking for some new writers and you enjoy anthologies, then I would recommend this.

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Roger Stevens is a National Poetry Day Ambassador, a founding member of the Able Writers scheme with Brian Moses and runs the award-winning website www.poetryzone.co.uk for children and teachers, which has just celebrated its 20th anniversary.  He has published forty books for children. A Million Brilliant Poems (Bloomsbury) was shortlisted for the CLPE prize and his book Apes to Zebras – an A to Z of shape poems (Bloomsbury) won the prestigious NSTB award. Roger plays keyboards and guitar and has recorded three albums for Irregular Records, the most recent being We Are Now Approaching Hassocks, which is available from www.rogerstevensshop.com Roger spends his time between the Loire, in France, and Brighton, where he lives with his wife and a very shy dog called Jasper.


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All poems are copyright of the poet. Permission for this poet to post their work here has been granted by blog owner. All rights remain with the individual poet and their respective publisher.

Sunday 20 September 2020

A Batch of Fish

. . All poems are copyright of the poet. Permission for this poet to post their work here has been granted by blog owner. All rights remain with the individual poet and their respective publisher.


Image taken 7 May 2017 at the Denver Aquarium
Copyright Cara Hartley
You are welcome to use it, but please credit me

The fishes swam in a batch
Hoping they wouldn't be the fresh catch
The fish keeper opened the hatch
The fishes scattered and tried to match
The sunken ship's colorful patch
Some hid in a seagrass thatch

When the fish keeper dropped chow in the hatch
The fishes all hurried to make the catch
They each wanted the best of the batch
Before the food could fall to the thatch
Of seagrass that grew in a patch
The fish and the food made a match

~cie~

notes
This is from the set of pictures that I took at the Denver Aquarium for the combined birthday (my son's 27th) and my mother's day celebration. 

The Icky, Sticky, Nit-Picky Legalese If You Please (Or Don't Please)
Copyright 2020 by Cie the Ornery Old Lady

Reblogging is acceptable on platforms that allow it. LBRY’s reblog function is called repost, which makes things confusing since reposting is considered a no-no on most platforms. It’s fine to share the post using the repost function on LBRY. It is not okay to copy-paste the material into a new post.

Sharing a link to the post is acceptable.

Quoting portions of the post for educational or review purposes is acceptable if proper credit is given.

Cross-posting to these locations:

I am sharing the photo with these blog hops:
For the Saturday Mix prompt




Not so Silent Sunday
Image Source:

Friday 18 September 2020

GerĂ°ur KristnĂ˝ - A Poetry Book Society Autumn 2020 Recommend Poet



The following is from The Poetry Book Society's web-page...

"This is Gerður Kristný's third collection from Arc and the third of the trilogy which already comprises the highly-acclaimed Bloodhoof and Drápa. In all three poetic sequences, the poet employs the archaic form of the saga to conjure up razor-sharp dark and bewildering images of the fates of women in a world where the boundaries between life and death and what lies beyond are unclear. In this particular sequence, Gerður Kristný gives a voice to a woman whose story was one that society was not ready to hear at the time, a woman who was abused as a child but who committed suicide before her own account of what had taken place was published. At its heart is the very notion of articulation, of how our language and culture determine what stories we can tell and what words we can use."


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All poems are copyright of the poet. Permission for this poet to post their work here has been granted by blog owner. All rights remain with the individual poet and their respective publisher.

Theresa Lola -A Poetry Society Poet



Straight from The Poetry Society comes London's Young Poet Laureate, Theresa Lola. Anyone who has the name Lola has to be cool. It was back in 1970 when Ray Davies sang and The Kinks played..."She walked up to me and she asked me to dance, I asked her her name and in a dark brown voice she said, "Lola" L-O-L-A Lola, lo lo lo lo Lola"  There is no dark brown voice to be heard here but some rather fine poetry.
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All poems are copyright of the poet. Permission for this poet to post their work here has been granted by blog owner. All rights remain with the individual poet and their respective publisher.

Sunday 13 September 2020

Ornery Poetry + Haiku My Heart: Senryu For a Lost World

. . All poems are copyright of the poet. Permission for this poet to post their work here has been granted by blog owner. All rights remain with the individual poet and their respective publisher.

Image copyright Cara Hartley
Taken Mother's Day 2017 at the Denver Aquarium 
We were also celebrating my son's 27th birthday

a faraway day
we had lunch with the fishes
in a world that's gone

~cie~


Copyright Information
The Icky, Sticky, Nit-Picky Legalese If You Please (Or Don't Please)
Copyright 2020 by Naughty Netherworld Press/Poetry of the Netherworld

Reblogging is acceptable on platforms that allow it. LBRY’s reblog function is called repost, which makes things confusing since reposting is considered a no-no on most platforms. It’s fine to share the post using the repost function on LBRY. It is not okay to copy-paste the material into a new post.

Sharing a link to the post is acceptable.

Quoting portions of the post for educational or review purposes is acceptable if proper credit is given.

This poem was posted to these places:

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Friday 11 September 2020

Dizraeli - Poets From The Poetry Society

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All poems are copyright of the poet. Permission for this poet to post their work here has been granted by blog owner. All rights remain with the individual poet and their respective publisher.

Sunday 6 September 2020

Photo Challenge 330: Alien Flowers

. . All poems are copyright of the poet. Permission for this poet to post their work here has been granted by blog owner. All rights remain with the individual poet and their respective publisher.

Image copyright Juanjo Menta from Pexels

an alien flower
almost earthly, but not quite
something from a dream

~cie~

notes
Written for Mindlovemisery's Menagerie Photo Challenge #330

Also sharing with Haiku My Heart

Copyright Information
The Icky, Sticky, Nit-Picky Legalese If You Please (Or Don't Please)

Copyright 2020 by Naughty Netherworld Press

Reblogging is acceptable on platforms that allow it. LBRY’s reblog function is called repost, which makes things confusing since reposting is considered a no-no on most platforms. It’s fine to share the post using the repost function on LBRY. It is not okay to copy-paste the material into a new post.

Sharing a link to the post is acceptable.

Quoting portions of the post for educational or review purposes is acceptable if proper credit is given.

This poem was posted to these places:

Want more Ornery Poetry?

Friday 4 September 2020

Lesley Saunders - Another Poet Recommended by The Poetry Society



Lesley Saunders is another poet connected to The Poetry Society. When I asked her for permission to publish her work she responded by E-mail with warmth and kindness. Here is her response...

Dear Russell,

It’s kind of you to be in touch and I think your intention to spread spoken word poetry is a great one.

As far as using the video of my poem that’s already on the Poetry Society website (https://poetrysociety.org.uk/competitions/artlyst-art-to-poetry-award/artlyst-art-to-poetry-award-2020-announcements/) is concerned, if you have their permission to re-post it that’s fine with me. However, I’m not really into making new recordings - technology isn’t my strong point and in any case I’m up against one or two writing deadlines at present, not to mention grandma duties over the summer holidays!

I hope you will forgive me for not actively participating…

With all good wishes,
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All poems are copyright of the poet. Permission for this poet to post their work here has been granted by blog owner. All rights remain with the individual poet and their respective publisher.