Spoken Word Poetry
Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Sunday, 23 August 2020

Ornery Poetry Sunday: Wildfires

. . All poems are copyright of the poet. Permission for this poet to post their work here has been granted by blog owner. All rights remain with the individual poet and their respective publisher.

Image from the Lamar Ledger 17 August 2020

such a hot day
my shadow needs to cool down
under the willow
smoky haze filling the sky
world is burning around me

~cie~

notes
The Hokku (three-line stanza) is © Kyoshi Takahama (1874-1958). The Ageku (two-line stanza) was written by me.

I am well to the northeast of where the above image was taken, but there are wildfires all over the state. We are surrounded by haze. 


I will likely never publish this work in any collection. But who knows for sure?

This poem was posted to these places:

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Copyright Information
The Icky, Sticky, Nit-Picky Legalese If You Please (Or Don't Please)
Copyright 2020 by Naughty Netherworld Press

Reblogging is acceptable on platforms that allow it. LBRY’s reblog function is called repost, which makes things confusing since reposting is considered a no-no on most platforms. It’s fine to share the post using the repost function on LBRY. It is not okay to copy-paste the material into a new post.

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Quoting portions of the post for educational or review purposes is acceptable if proper credit is given.

Sunday, 2 August 2020

Ornery Poetry Sunday: Bully Is As Bully Does

Image by Andrew Martin from Pixabay

I don't know who needs to hear this today
But if you think bullying a bully
The way the bully bullies his victims
Using the same cruel words as he uses
You have just become a bully yourself

~Cie the Ornery Old Lady~


Ornery Owl
Free Use Image from Open Clipart Vectors on Pixabay

I am feeling quite heartbroken today, close to suicidal. I feel that my work is worthless as am I. But I will try to believe and will keep going just in case things can improve somehow.

I wish you all the best.

The Icky, Sticky, Nit-picky Legalese If You Please (or Don't Please)

Copyright 2020 by The Ornery Old Lady

Reblogging is acceptable on platforms that allow it. LBRY’s reblog function is called repost, which makes things confusing since reposting is considered a no-no on most platforms. It’s fine to share the post using the repost function on LBRY. It is not okay to copy-paste the material into a new post.

Sharing a link to the post is acceptable.

Quoting portions of the post for educational or review purposes is acceptable if proper credit is given.

This work was published on 1 August 2020 on these platforms:


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. . All poems are copyright of the poet. Permission for this poet to post their work here has been granted by blog owner. All rights remain with the individual poet and their respective publisher.

Saturday, 21 March 2020

World Poetry Day



Today it is World Poetry Day. World Poetry Day was started by Unesco in 1999. The concept behind the day is to support “the oral tradition of poetry recitals” in other words Spoken Word poetry. Rather than consigning spoken word poetry to the annals of history, World Poetry Day celebrates poetry in all its forms including literary and oral. Today champions poetry. Today is a day to celebrate the beauty of poetry but especially spoken word, be it a live recital or recorded.


. . All poems are copyright of the poet. Permission for this poet to post their work here has been granted by blog owner. All rights remain with the individual poet and their respective publisher.

Friday, 15 November 2019

Jennifer K Dick

My new book LILITH: A Novel in Fragments will be out later this month with CORRUPT PRESS. I hope you will all keep an eye on the webpage for sales, and will help me set up readings in Europe and in the states in 2019-2020! Very excited about this book, and my forthcoming poetry collection THAT WHICH I TOUCH HAS NO NAME which should be out from Eyewear, London in 2020 (a year behind schedule, but therefore VERY much looked forward to, too!)

https://www.corruptpress.com/books/lilith.shtml


Friday, 6 January 2017

"Falling Awake" by Alice Oswald - Poetry Book of The Year

It was a bit vague, wasn't it? A bit devoid of any real comment? I am of course talking about my blog where I boldly state that Alice Oswald's book, "Falling Awake," was "Something For The Weekend, Sir's?" poetry book of the year. It had no substance to it, no opinion, no constructive, positive statement telling why I thought it was such a good book. 

Funny thing is that I have never posted year after year a 'Poetry Book of The Year' here or anywhere else. Not just because it all seems a bit pretentious of me, hardly an expert on poetry, daring not only to voice an opinion of said subject but then having the sheer audacity to select a years best. I did one in 2012 with Barry Hill followed two years later with Janet Sutherland. So in many respects, this is the follow on to the "Bone Monkey."  And what a follow on.

Still, my previous post remains bereft of a why and a therefore as to my selection so, let's put matters right, let me tell you, belatedly, why I enjoyed it so.

Truth to tell I have only two of Alice Oswald's books. The first being the award-winning "Dart," and of course "Falling Awake." 

With "Dart" I felt the whole poem rolled and thundered, splashed and foamed, with the voice of the river itself. Even the little asides, those brief annotations that slip into the verse like herring gulls on a weed covered timber pole screeching their Keow ha-ha-ha-ha, which added colour and texture to the rise and rhythm of the words as they flowed, with liquid ease, through the forty-eight-page poem. Like a gospel choir in response to a lyric sung.

The whole poem had/has a natural feel to it almost as though Oswald had transmogrified herself into on of those screaming gulls and through their eyes, through their very connectivity to nature itself, transcribed their feelings as they scooped and dived over the Dart as it ran its course.

Feral? No, I don't think feral is correct. It was, it still is, something other than that. For me now, the man searching to redefine spirituality without either bowing to magic or mysticism, "Dart" is sort of Tao.  Of course, it needn't be a gull. It could just as easily be a swallow or a dragonfly or a crow. Well, maybe not a crow, as that would be too close to Ted Hughes for comfort but you know what I mean - a bird's eye view of the River Dart as witnessed by one of mother nature's denizens.

It seemed as if Alice had her finger's and her toes deep rooted in the riverbank the better to enable her to allow the truth of what she saw to transfer its earthy, damp, wet, silt-sodden story to be written.


Of course, Alice didn't write her poem in the manner I received it. She wrote it as an old man walking, observing, crossing the land, following the line of the river. An old man with tired legs, tried and tested footfalls, a man as common with the common land as the lines on his hands and face. She wrote it as a bailiff, a man with letters after his name,  An exchange in far off places. She captures, heart, body and soul the river but not just the water flowing, the very life of the Dart with all that goes in it, on it, about it and around it. She gives us, does Alice the daily life of the river Dart in all its glory. 

But that was "Dart" and "Dart" has had many an accolade, many an award, all deserved for Alice Oswald is profoundly talented but this should be about "Falling Awake" rather than me falling into the dream of Alice's making, the reality that flit's in my mind like a dream as it re-runs its images over and over and over again. Now, I'm "Falling Awake."

So then, here we have it, the follow-up to the highly acclaimed "Memorial." Having never read that collection I cannot comment. I don't whether there are similarities between that and this or if "Memorial" stands alone in the Oswald cannon. I suspect not. It is certainly different to "Dart" as that was one long, continuous poem whereas with "Falling Awake" we have a collection of poems. That said, the two books do share the same focus, that of nature.

Alice Oswald may very well be our finest poet, there is strong evidence to support that claim and none more so than here. With her ability to create a free-flowing rhythm, her talent with words, her forensic attention to take the detail of those things she has observed and write them down so that the images she has witnessed come alive with an electricity that is quite incredible. And she does it all with such nimble agility, such poise.

Her thread is those things about her. Possibly the Devon she calls home yet this apparent love of the region she lives in has a universal appeal so that literally anyone, anywhere in the world cab appreciate the poems.

My personal favourite is "Swan" but there are many others that could occupy that space for this is a luscious, rich assembly of poems. This really is a remarkable book in every sense, a book you will return to time and again.




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All poems are copyright of the poet. Permission for this poet to post his/her work here has been granted by blog owner. All rights remain with the individual poet and their respective publisher.

Friday, 30 December 2016

Poetry Book of the Year

When I last wrote here it was to say that this site was closing for business in the light of what appeared apathetic disinterest. Perhaps that was disingenuous of me. I'd like to think I got it wrong and that there are poets out there who believe in reading their work aloud. I hope so. I sincerely would like to see this site brought alive again with an influx of spoken word poetry.

When I last wrote here it was December 2015. I apologised that I had not written or rather posted, as I had in previous years, 'Something For The Weekend, Sir's' Poetry Book of the Year. Well, this year I have.

"Falling Awake" by Alice Oswald 




. . All poems are copyright of the poet. Permission for this poet to post his/her work here has been granted by blog owner. All rights remain with the individual poet and their respective publisher.

Saturday, 26 December 2015

Poetry Book of the Year

This time last year, filled with passion and hope following the wonderful slew of spoken word poetry that appeared here On Something For The Weekend, Sir? I had the audacity to write the following piece....

http://fishyfarts.blogspot.co.uk/2014/12/poetry-book-of-year-2014-bone-monkey-by.html

Sadly this year, due to three different sets of circumstances the enthusiasm I had at that point has not so much gone as been pushed aside for awhile.

1.The incredible poets who recorded their work have not been followed by others.
2. My intention to keep this site alive by recording my own feeble efforts was thwarted when my PC was hacked preventing me from filming myself.
3. I am currently recovering from another minor stroke and find it hard to type when seeing double ('Tis a bugger and no mistake)

Hopefully, all will be back soon and firing on all cylinders.

If any of the poets who have posted here would like to recommend a book of poetry as this years favoured one, please go ahead and do so!

Friday, 7 August 2015

Ten Reasons Why You Might Enjoy The World’s Wife - A personal view by Roger Stevens




The World’s Wife (Picador 1999) was Carol Ann Duffy’s first themed collection of poems, dealing with sexism, equality, bereavement and birth. The collection looks at important events and history – from a female perspective and often in a controversial way. She tells the wives’ stories.
1 If you are new to the poems of Carol Ann Duffy I would suggest this book as a good place to start, to find out why she is such a loved and respected poet; or if you are already familiar with her work – come here to rediscover her or just delight, once again, in these wonderful narratives.
2 To enjoy her wit and humour. Her poem Frau Freud could almost have been written by Monty Python, or appeared in Viz, with its exhausting list of names for the male member. And in Mrs Darwin…

Went to the zoo/ I said to Him/
Something about that chimpanzee reminds me of you.
3 To enjoy the exactness and rightness of her phrases.
In The Devil’s Wife - A faint sneer of thunder… In Mrs Quasimodo - the murdered music of the bells… and in Mrs Aesop – that the bird in his hand shat on his sleeve.
4 To discover the real reason why Delilah cut Samson’s hair. An act of love and kindness.
5 To spare a thought for the dilemma of Mrs Midas. The need to put a chair against her door, petrified…
4 Her cunning, clever and sometimes unexpected use of rhyme. As Mrs Winkle returns home with a pastel of Niagara to find Rip Van Winkle rattling a bottle of Viagra
5 Her poetry is honest. Even brutal. If she has something to say, she doesn’t hold back, as in the explicit Mrs Quasimodo.
When the others left,
He fucked me underneath the gaping, stricken bells
until I wept


6 For the rhythm of her lines, the rise and fall, the cadences, that propel her tales, the dash, the joie de vivre.
7 Carol Ann Duffy’s feminism underpins this collection. She has said that in order to find the truth, the female character has to be dominant. In the opening poem, Little Red Cap, she found that the original fairy tale, upon which this is based, was an example of feminism in both fairy tale and English literature. She then found a personal connection within the original story line to help form the dominant female character.
You might ask why. Here’s why. Poetry.
The wolf, I knew, would lead me deep into the woods,
away from home, to a dark tangled thorny place
lit by the eyes of owls.
8 The way she uses these tales to highlight men’s treatment of women. In Pygmalion’s Bride, for example, the tale of a Cypriot sculptor who carved a woman out of ivory, she cleverly finds a modern equivalent. The sort of man that many women know too well.
9 And who wouldn’t want to read about a female Pope…
10 Or a song about Elvis’s Twin Sister who lives in a convent…
I think of it
as Graceland here,
a land of grace
…and prays for the immortal soul of rock and roll.






Friday, 24 July 2015

Ten Reasons Why You Might Enjoy The Book of Shadows by Don Paterson A personal view by Roger Stevens


Don Paterson was born in Dundee, Scotland, in 1963. He has won more awards and prizes for his poetry than you can shake a stanza at. He has also published three books of aphorisms, of which The Book of Shadows is one.

1 Who wouldn’t want a book of aphorisms on their bookshelf? And this collection, by one of Britain’s finest poets is a beauty.

2 An aphorism is a terse saying, expressing a general truth, principle, or astute observation, and spoken or written in a laconic and memorable form. And what a great feeling when you read an aphorism and it speaks to you.

3 Aphorisms can be very short and witty.

If I try to write anything longer than a single sentence, I find myself just making things up.

5 Aphorisms can be long and chewy.

Poetry is a mode of reading, not of writing. We can read a poem into anything. A poet is someone skilled in manipulating that innate human capacity to make things sign. They advertise the significance of the form in its shape or speech, build in enough strangeness and intrigue to have the reader read in, enough familiarity not to repel them, and calculate enough reward for their effort. But so much poetry now is all advertisement, or all familiarity, or all strangeness, or all calculation.

7 This is a great book for dipping into. Like a botanist in a boat travelling through the coral reefs.

Almost everything in the room will survive you. To the room, you are already a ghost, a pathetic soft thing, coming and going.

9 If you enjoy poetry but are looking for something a little different… this is a word from the wise.

10 Falling and flying are near-identical sensations, in all but one final detail. We should remember this when we see those men and women seemingly in love with their own decline.

Aphorisms in italics are taken from The Book of Shadows.



Friday, 10 July 2015

Ten Reasons Why… You Might Enjoy Poems on the Underground A personal view by Roger Stevens


If you’ve ever travelled on London’s Underground you will have noticed that, every now and then, between the adverts for mints and temps, there is a poem. It all began back in 1986 as an idea shared among a few friends, Gerard Benson, Judith Chernaik and Cicely Herbert. Wouldn’t it be a great idea, they thought, to fill the blank grey advertising slots with poems, for the public to read, think about and enjoy. London Underground liked the idea. And now, thirty years later, they have become a wonderful part of the tube journey. They provide a distraction from the crowded carriage. Sometimes they lift the spirits. They make the journey more bearable. There are several Poems on the Underground books – but here are the beginnings of ten poems showing why you might enjoy them, from the Penguin edition of 2012, published to mark London Underground’s 150th anniversary. And a little quiz – Can you name the authors of these poems? Answers below.
1
How do I love thee? Let me count the ways
I love thee to the depth and breadth and height
My soul can reach…
2
I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert…
3
In London/ every now and then/ I get this craving/ for my mother’s food
I leave art galleries/ in search of plantains/ saltfish/ sweet potatoes…
4
I have known the inexorable sadness of pencils,
neat in their boxes, dolor of pad and paperweight,
All the misery of manila folders…
5
Somewhere on the other side of this wide night
and the distance between us, I am thinking of you.
The room is turning slowly away from the moon…
6
The trees are coming into leaf/ Like something almost being said
The recent buds relax and spread/ Their greenness is a kind of grief
7
Earth has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty…
8
English Teeth, English Teeth/ Shining in the sun
A part of British heritage/ Aye, each and every one
9
Aunt Jennifer's tigers prance across a screen
Bright topaz denizens of a world of green…
10
The highway is full of big cars/ going nowhere fast
And folks is smoking anything that’ll burn
Some people wrap their lives around a cocktail glass
And you sit wondering/ where you’re going to turn
I got it./ Come. And be my baby…



1 Elizabeth Barrett Browning 2 Percy Bysshe Shelley 3 Grace Nichols 4 Theodore Roethke 5 Carol Ann Duffy
6 Philip Larkin 7 William Wordsworth 8 Spike Milligan 9 Adrienne Rich 10 Maya Angelou

Friday, 26 June 2015

Ten Reasons Why… You Might Enjoy the Poems of Carl Sandburg A personal view by Roger Stevens



Carl August Sandburg (1878 -1967) was an American poet, writer and editor who won three Pulitzer Prizes, two for his poetry and one for his biography of Abraham Lincoln.  During his lifetime, Sandburg was widely regarded as a major figure in contemporary literature, especially for volumes of his collected verse, including Chicago Poems (1916), Cornhuskers (1918), and Smoke and Steel (1920)
1 Carl Sandberg was a journalist and a socialist, and had a keen sense of and desire for social and economic justice, which was reflected in many of his poems. Despite being written so long ago his poems still resonate with us today.
2
A man is a man and what can you do with him?
but a machine, now you take a machine
no kids  no woman  never hungry  never thirsty
all a machine needs is a little regular attention
and plenty of grease
3 Sandburg wrote, “Here is the difference between Dante, Milton and me. They wrote about hell and never saw the place. I wrote about Chicago after looking the town over for years and years.”
4 Trafficker
Among the shadows where two streets cross,
A woman lurks in the dark and waits
To move on when a policeman heaves in view.
Smiling a broken smile from a face
Painted over haggard bones and desperate eyes…
5 He was not afraid to tackle the inequities of organised religion.

You tell people living in shanties Jesus is going to fix it up all right with them by giving them mansions in the skies after they’re dead and the worms have eaten ‘em.
6 Grass
Pile the bodies high at Austerlitz and Waterloo.
Shovel them under and let me work -
I am the grass; I cover all.
7 He wrote many, wonderful love poems. He asks of love,
“Is it a cat with claws and wild mate screams in the black night?”
8
Your white shoulders
I remember
And your shrug of laughter
Low laughter
Shaken slow
From your white shoulders
9 He was one of the first great poets to use free verse. Critics didn’t like it, especially in the early days, calling it un-aesthetic and unpoetic. It doesn’t seem in any way unusual now, but at the time it caused quite a stink in poetic circles. And as well as tackling traditional poetic subjects, he liked to write about every day, mundane things. And popular culture. Pre-shadowing the Beat Poets.
10 Lines written for Gene Kelly to Dance To

Tell your feet the alphabet
Tell your feet the multiplication table
Tell your feet where to go, and watch ‘em go and come back...

Friday, 5 June 2015

Ten Reasons Why You Might Enjoy...."The Way Things Are" by Roger McGough



 A personal view by Roger Stevens
1 Roger McGough is probably my favourite living poet. The best-selling Mersey Sound, published by Penguin in 1967, with Adrian Henri and Brian Patten, launched their careers. Roger McGough has written so many brilliant books that it’s hard to choose a favourite. But The Way Things Are is my favourite today. Tomorrow it may well be something else.
2 The poems in this book are easy to understand, easy to enjoy. Roger McGough doesn’t try to baffle you with indecipherable symbolism or impenetrable metaphor. They often work on different levels, though. I like that in a poem.
3 For the Sake of Argument
The cover of this book is yellow
But, for the sake of argument
let us call it red…
4 The poems in this book are very clever.
On the eleventh morning
Japheth burst into the cabin:
“Dreadful news, everybody, the tigers
Have eaten the bambanolas!”
5 A Literary Riddle
I am
Out of my tree
Away with the fairies.
A nut. A fruitcake. What am I?
6 If you are familiar with Roger McGough’s voice, maybe from listening to Poetry Please on Radio 4, then hearing him read these poems in your head, in his dry, distinctive Scouse accent, just adds to the pleasure.
7 There’s a good mixture of serious and funny poems in this book.
A serious poem will often end
With two lines that rhyme,
But not always.
8 The title poem is genius. “A sparkling patchwork of children’s logic, grieves quietly for the age-old fears deep down inside us all.”
9
No, the red woolly hat has not been
put on the railing to keep it warm.
When one glove is missing, both are lost
Today’s craft fair is tomorrow’s car boot sale.
The guitarist gently weeps, not the guitar.
I am your father and this is the way things are.
10
There’s always someone who spoils things, isn’t there?
We are all enjoying the story
and someone has to shout out something silly.

Roger’s most recent poetry books for children include The Penguin in Lost Property (Macmillan), with Jan Dean, and What Are We Fighting For? (Macmillan), poems about war, written with Brian Moses. The Comic Café (Frances Lincoln) is his latest children’s novel. He runs the award-winning children's poetry website, The Poetry Zone. Roger also writes for adults, plays in a band (with the legendary Robb Johnson) and performs his own songs in folk clubs. His latest album is called I Don’t Wish to Alarm You But… (Irregular Records.) He spends his time between the Loire, in France, and Brighton, where he lives with his wife and a very, very, very shy dog called Jasper.
 And here, from the not so dim and distant is a little something other from Roger....


Have you ever been embarrassed by your parents? When Joseph was a teenager he would refuse to actually walk with me and Jill in the street “in case his mates saw us.” How silly is that? And I don’t see why he should have been embarrassed by me and Jill dancing in the road at a street festival in Holland, either. He should have been proud of his step-dad. When I hoisted his mum over my head and did the splits at the same time it produced a huge cheer and applause from the crowd that had gathered around us. I was quite upset when he ran away instead of staying to help his mum carry me to the hospital. So you would think that, as a grown-up, I’d no longer be embarrassed by my parents.
But Jill and I decided to take my eighty-year-old mother for a drive in the country. It was a lovely sunny Saturday in June. We drove through the village of Northiam and saw that the local school was having a fete.
“Shall we have a look round?” I asked.
“Ooh, yes,” said Mum, “that would be nice.”
So we did. We had a go on the bottle stall and Jill won a small jar of salad cream. Then we bought a spider plant from the plant stall and watched a display of falconry.
Unfortunately the falcon man hadn’t turned up but the resourceful school decided to go ahead anyway.
Several teachers had each painted the picture of a bird of prey on a shoe box, and tied the box to their arm with a piece of string. Then each one took a turn of throwing the box up in the air while we had to imagine that it was a real bird, wheeling through the sky, and swooping on a sparrow.
The falcon I imagined was easily the best. It did somersaults and finished its display by swooping through a hoop of fire upside down.
So, Mum, Jill and me were walking around the school field enjoying the fete when a band started paying. It was the east Sussex All-Comers Ukulele and Trumpet band. They were brilliant. They played Take That’s greatest hits.
That was when my mum got embarrassing. She grabbed my hands and shouted out, really loudly, “let’s have a little dance!” then she started going round in circles, taking me with her, and every so often punching the air and whooping. An eighty-year old whooping woman dancing to Shine is not a pretty sight.
It was very, very embarrassing. The only good thing about it was that Jill went round with the hat and managed to collect seven pounds 63p. So we all treated ourselves to an ice cream and Mum bought another spider plant to keep the first one company. 



Wednesday, 31 December 2014

Poetry Book of the Year - 2014 - 'Bone Monkey' by Janet Sutherland


Janet Sutherland - Bone Monkey
 
 
The first mistake I made with this highly creative book was to assume, upon seeing the title, that the subject matter had a Pagan slant. Nothing wrong if that were the case. It isn't though. It is far more than that and although the central character is a Loki like, Puckish deity, one who flits in and out of mortal life, the poems featured here have more to do with humankinds spectrum of frailties. From murder to sex, from death and rejuvenation to caring for a dementia sufferer.

Like any book of poetry, unlike a novel, reading it from cover to cover, poem by poem, is never near enough to grasp all of what's been said. I read this through in just over one day. I then returned to it again for the next few weeks. Re-reading and fully digesting each jewel like word.
 
With my woefully inadequate education, one that saw me being expelled following some riotous behaviour, I wouldn't know a sonnet from a punnet. Okay, one has rich delicious fruit in it and is eaten by attendees of Wimbledon. The other is something poets do and that Will Shakespeare was famous for. In this book we find those sonnets nuzzling up against free form poetry. The range is expansive, the emotions found - expressive.
 
 Janet's spritely dance leads us down paths dark, dim yet often exhilarating. Her poetry is sure footed and nimble, weaving as it touches upon a series of linked ambitions, threaded conceits, one central theme  revealing what we already know - mankind is an odd lot.

There are several poems that really thrilled me - 'Red Hibiscus' with its twisted psyche. Bone Monkey being as devious and deviant as a Bone Monkey can be. 'His Exposition on the art of memory,' which carries a distinct melancholic feel to it and finally 'Fire Fleet and Candle Light' an ode to death, dying and the ultimate end of life.

It is the delight in the words that both mesmerise and impress. The sheer exuberant zest for the poetry's spectrum as the colours cast engage the reader, tugging you close, inviting you to feel those rhythm's, urging you to uncover meaning but most important of all to enjoy what in reality is some fine poetry. 

 
Janet Sutherland was born in Salisbury and grew up on a small dairy farm. She studied English at University College, Cardiff, before moving on to gain an MA in American Poetry at University of Essex.  Since 2001, she’s lived in Lewes, East Sussex and as well as pursuing her writing, Janet works part time for Relate in Brighton.

Tuesday, 3 June 2014

The Rise, Demise and Imminent Rebirth of Modern Poetry



Why is it that the swing away from poetry to prose has been so severe? Is poetry, once the stuff or romance and potency, now seen as something marginal? Once a poet was feted in much the same way as a Rock star. Now if you say you are a poet the likelihood is that you might get some sideways glances or a patronizing smile. 'Of course you are dear, after all, isn't everyone?'
Prose and poetry are cousins. One can exist with the other without there being either conflict or competition. Obviously one offers a different experience from the other but that is no bad thing, is it? So why then does prose still sell in bucket loads whilst poetry sells in dribbles? So what is it that pulls an audience toward prose stories more than poetry? Do we blame J.K. Rowling for igniting a young audience's passion for prose and in doing so ignoring poetry? I think not. Something the sadly missed Maya Angelou said gives me both hope and insight. She said that Rap Music kept her optimistic about the future of poetry.

“Years ago I did a movie called Poetic Justice, and there was a young man the first day who cursed so, I couldn’t believe it. I walked around, behind him, tried to ignore him. But the second day, he and another young man, [a] black man, ran to each other and were about to fight. Hundreds of extras started to run away. But one black man walked up to the two young men, and I walked up, and I took one by his shoulder. I said, ‘Let me speak to you.’ … He finally calmed down, and I said, ‘Do you know how much you are needed? Do you know what you mean to us? Do you know that hundreds of years of struggle have been for you? Please baby, take a minute.’ … I put my arm around him. He started to weep. The tears came down. That was Tupac Shakur. I took him, I walked him down into a little gully and kept his back to the people so they wouldn’t see him, and I used my hands to dry his cheeks.”

That statement and that quote fill me with an excitement not dissimilar to hearing 'Revolver' for the first time or, same year different occasion, of  England winning the world cup. There is not only life in the old beast but also interest. Fact is Rap sells major style so with that thought in mind, and seeing that musical genre owes a huge debt of thanks to poetry, why can't that fluid, magical older form of verse do the same?

It of course can but how?

The spoken word is key. Hearing poetry spoken, 'Under Milkwood' being a perfect example or indeed hearing Maya Angelou, or any poet for that matter, read out loud their work is an exhilarating experience.

Poetry's link to song goes back centuries.They were born of the same mother. They share history. However, you cannot read songs, well you can if you read the lyric but you either need to sing them or hear them to fully get the impact of the piece.. Same with poetry. Yes, you can read it but hearing it spoken helps. It gives that extra oomph that I believe will fire-up the hearts of not only the young, although bringing more youth on board would be good, but everyone.

Of course there is another medium employed nowadays with pop music and that is the video. Again this format adds to another by visually assisting delivery. Seeing is believing. Hearing is perceiving. Together the two stamp an authority by virtue of demanding attention that a book of verse doesn't always achieve.

Poetry responds to a basic human needs. It can be cathartic when read or heard. It literally has the ability to change lives. What it needs now is to accept other ways of presenting itself, of getting back to roots while dallying a while with modern means to get those poems heard. 

Something For The Weekend, Sir?  makes no false promises. It can only be a vehicle for assisting an already beautiful art form but in so doing the 'voice' of poetry embraces a modern means as it delivers an exciting message.

Very soon poets will be reading the spoken word here. Enjoy.